Final Project Proposal

Scarlett Nisar, Joamir Salcedo

Objective
Design students are often limited in exploring a set number of skills or disciplines within a given timeframe through school or themselves. In order to enable the exploration and execution of projects that a designer would otherwise be unable to do due to lack of skill, we want to create a tool for New School students for exchanging skills and searching for other people to collaborate with on projects.

Procedure
We will create an app that serves as social platforms that will allow users to search for people with specific skills for collaborations, or to set up a skill share.

The app will be available for New School students, and within the overarching platform users will have the option of being a part of specific networks pertaining to the individual schools within the New School (Parsons, Eugene Lang, Milano, etc.). Within these networks, users will be able to search for people with specific skills they need to collaborate on a project. For example, a student animating a motion piece can search for a composer or sound designer and propose a collaboration. Now everyone involved in the project can use this project as a collaborative portfolio piece. In addition to setting up collaborations, the app will also allow suers to search for others to set up a skill share. Users will be able to plan and arrange the skill share within a timeframe decided by the users involved.

Roles
Both members will be involved in research, wireframing, designing, and prototyping the app.

Deliverables
Research documentation and prototypes.

Schedule
Oct 31: Initial Research, Sketches

Nov 7:  App Map, Initial Wireframes

Nov 14: Prototype 1 Due (Detailed map of app navigation)

Nov 21: Wireframing, User testing

Nov 26: Prototype 2 Due (Present redesign/refinement based on user testing/research)

Dec 5: Documentation of all research, final refinements to design

Dec 12: Final Presentation

Reading Response – “CAE’s Observations on Collective Cultural Action”

Critical Art Ensemble (CAE) makes a case for thought-out collaboration in an artistic, cultural, political, and social economy in which demand for the individual currently prevails.

CAE states that art schools and institutions prioritize – and in most cases, only offer – education for the individual artist. Collaborative practice is not the preferred ideological imperative in place of individual practice. This kind of education promotes the cultivation of many different skills in one person as per market demand. For example, in the current market, “a single artist must be able to produce in a given medium, write well enough for publication, be verbally articulate, have a reasonable amount of knowledge of numerous disciplines, be a capable public speaker, a career administrator, and possess the proper diplomatic skills to navigate through a variety of cultural sub-populations.” CAE relents that the need for this maximization of skills is because of the “excessive population of cultural producers” so if an individual’s focus is on specialization in a specific medium, his or her opportunities diminish.  But as most artists and producers are unable to become capable of all of those requirements on their own, CAE makes a case for maximizing their opportunities by collaboration with those who possess different skills. This results in a deviation from specialization and the ability to work in a wide variety of cultural spaces.

CAE emphasize the importance of organization and structure of a group in accordance with the size of the group. If the group becomes too large then there is risk of individuals being unable to participate in each task and different subgroups emerge, stepping towards a power hierarchy and a diminished democratic process. Under these conditions, individuals may find themselves underrepresented within the whole group.

For its own projects, CAE uses the idea of a “floating hierarchy.” The member with the most experience with a particular project becomes the leader for that particular project and while others are allowed to pitch in their ideas, the leader makes the final decisions. In CAE’s opinion, as long as everyone is satisfied with the work and with the rate at which the work is progressing, there isn’t a necessity for rigid equality within the production process. CAE does not recommend this process for large groups (more than eight people) because in large groups “members must be able to interact in a direct face-to-face manner so everyone is sure that they have been heard as a person.”

Do you agree with CAE’s suggestions for group hierarchy (or lack thereof) based on group size? Do you have any personal experiences working within groups, no matter the size, where you felt you were unable to fully participate because of  certain group dynamics/hierarchy? If so, what do you think could have been done differently to fix the issue of underrepresentation?

Would you prefer individual specialization in all areas (if you believe that to be a likely option) or to work collaboratively within a group where different individuals specialize in different areas (like CAE)? Which method would provide for the best production rate? For most personal satisfaction?